Classic Movie Review - Kiss Me Deadly

"Kiss Me Deadly" by Mike Hammer... a film noir masterpiece, an absolute must see. The photography is classic, with great location shots around Los Angeles. The soundtrack, not just the music, but the way ambient sounds reinforce the mood, is haunting. The acting is modern in the best sense. Really powerful performances, especially from Gaby Rodgers, the waif with the heart of ice.
Warning, there are several scenes of really excruciating violence. It takes place mostly off screen. Nonetheless, if you're sensitive to that sort of thing it might give you nightmares.
This movie is the last word in Cold War nihilism and angst.
Here's the IMDB page for it.
And it can be found on Youtube.
I'll spare you the details. They can be found on the IMDB site. Here are a few stills.

Nightmarish and disorienting opening shot of Christina (Cloris Leachman) running down the highway panic stricken and naked except for a coat.

Nick (Nick Dennis) one of several thoroughly fleshed out supporting characters bringing a lot of vitality to the story.

Mike Hammer (Ralph Meeker) and Velda (Maxine Cooper), more than just an assistant and able to be quite ruthless in her own right.

fist fight at night, ending with the assailant falling to his death down this vertiginous flight of steps.

Lily Carver (Gaby Rodgers)

Charlie Max (Jack Elam) not happy at all at what he just saw Mike Hammer do to his fellow henchman.

One of the many great location shots. Much of it was filmed in Bunker Hill, all of which was torn down in the 1960s.

Dick Tracy Detective - 1945

As I'm not in the Middle East for the time being I thought I'd use the blog to share impressions of the fun old movies I've been watching lately. These all come from the great website Archive.org. a really excellent source for public domain movies that you can watch for free.

Tonight's movie is Dick Tracy Detective.
Morgan Conway as Dick Tracy
Anne Jeffreys and Tess Trueheart
Mike Mazurki as Splitface
Jane Greer as Judith Owens

The opening image, classic film noir, the night, a vacant storefront, high contrasts, long shadows, distorted perspectives. Dick Tracy's got it all and more, taking it from the level of style to the next level, a world all its own. The mysterious figure in black, as you will find out in moments, is the mysterious "Splitface" and he is on a rampage of unexplained, seemingly disconnected murders. We don't see him, only his silhouette...

 Dick Tracy himself, the man in charge, rock hewn jaw, eyes as cool as blued steel, a man's man.

And then, of course, there's Tess Trueheart, Dick's love interest, ever patient in her satin negligee and curls. She's no wimp though. She may be patient but she let's him know about it. And she's not about to be left behind when the chase for the villain gets hot. She's a real man's man's woman.

In Dick Tracy's world evil has an ugly face... in this case, Splitface... From behind the window he sees without being seen, but the window mullions not only frame him, they cage him. Evil is its own prison.

The set design is spartan. Like a cartoon strip there is no excess in the image. Here we are on a roof top, guarded by a metal barrier. There's no clutter. In the background are only just enough lights to suggest the skyline at night.

Vertiginous perspective, another hallmark of the style. Splitface watches from above, unseen. The strong horizontal light places him above the lit action, where he can watch in safety.

The undertaker, it's always convenient to have one around, if for no other reason than to have the hero walk through a room full of caskets. This man's balding head suggests an overactive intelligence, his beady eyes, a cunning mind, and his weak mouth and chin, a weak moral character. The slashing shadows behind him create an atmosphere of chaos and torment. All this is accentuated when in motion. That is part of the art of the "motion" picture.

SPOILER ALERT!!!

Good triumphs over evil.